WHERE WE CAN’T BE SEEN (2018 – in process)
Donde no nos vean seeks to investigate the relationships we acquire in childhood around place, fears, invention and discovery.
I am attracted to childhood because it is a time when we get to know what surrounds us through play, testing our limits and fears and fictionalising reality.
We create utopian places. The bottom of the garden, the barn or the cave are transformed before our eyes and transport us to impossible and improbable universes and all of this, paradoxically, helps us to learn more about our environment and to locate ourselves in the world.
Over time, remembering these experiences involves a reconstruction in which reality and imagination merge. Each element acquires a new materiality, becomes magnetic, remains at the service of the person who evokes it and changes as time goes by.
WHERE WE ARE NOT SEEN (2019 – in progress)
Remembering is an act of reconstruction in which reality and imagination mingle and confusion reigns. Each element acquires a new materiality, becomes magnetic, remains at the service of the person who evokes it and changes as time goes by.
Donde no nos vean seeks to investigate the relationships we acquire in childhood around place, fears, invention and discovery, and how the past is latent in us, in our memory.
Grisart Escola Internacional de Fotografía exhibition space, Barcelona (2020).
Group exhibition Quartet. Agustí Centelles Library exhibition space, Barcelona (2019).